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A Super Audio
Recording
This Zenph recording with Sony
Masterworks is an audiophile dream come true, much like the recent re-performance
of Glenn Gould's 1955 Goldberg Variations. The new
album is a "hybrid multichannel SACD" disc. This type of compact disc has three
layers and plays perfectly on any traditional CD player, but sounds magnificent
on the newer Super Audio
CD (SACD) players. It is especially involving in surround sound. Richard
King and Gus Skinas, both renowned for their surround-sound expertise, used the
latest Sonoma workstation for
this DSD recording.
Sony also recorded a binaural
version of the playing. In this technique, two microphones are positioned in the
ears of a dummy
head, so that headphone playback sounds quite immersive. The binaural tracks
let you hear what Tatum heard as he sat at the piano bench in the Shrine, an
amazing experience!
So, there are 13 songs on the new disc, appearing on the disc twice, for 26
total tracks. The first 13 tracks are recorded from an expected perspective in
front of the piano – you’re hearing what the audience would have heard. Then,
the whole 13 tracks are presented again, this time recorded in binaural. If you
listen to these second 13 tracks through headphones, you have a sense of “being
inside Tatum’s head” as he played. You hear the piano laid out in front of you,
bass to the left, treble to the right.
Both the binaural and the surround-sound versions will be on the new hybrid SACD/CD.
These multiple new recordings show the ability to take a re-performance and hear
it from different perspectives.
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